Picture yourself as part of a creative community. Discover the studio arts program from Smithsonian Associates.
Does the thought of picking up a paintbrush, camera, quilting needle, pastel stick, or calligraphy pen instantly ignite your imagination? There’s no better place to get in touch with—or perhaps reconnect with—your creative side than in the studio arts classes and workshops offered by Smithsonian Associates. Whether you’ve never set foot in an art studio, want to expand your existing skills, explore new techniques, or try your hand at a craft that intrigues you, you’re certain to find the perfect choice among our wide variety of evening, daytime, and weekend offerings. And because we are the Smithsonian, our studio arts program comes with some terrific advantages. Smithsonian Associates classes are guided by professional artists and experienced educators who create a supportive and stimulating atmosphere for learning and discovery. What students experience in those studios—and during on-location sessions in many settings—makes Smithsonian Associates’ art programs unique and valuable. Small class sizes allow for highly personalized one-on-one guidance from instructors. Individual and group critiques help students develop their techniques and personal vision. Interaction with fellow participants plays a key role in each class, too: Students tell us they love both the creative and the social aspects of working together. Becoming part of our studio arts program means more than simply taking a class. You’re taking your place in—and contributing to—a vibrant creative community.
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This is your invitation to add a creative spark to your Spring. Take a look at the upcoming class series and workshops listed in this special art-focused edition of our monthly program guide. There’s plenty to tempt you. Learn the fundamentals of drawing and painting, quilting, photography, collage, or calligraphy. Noted photography pros lead a series of shoots on location and weekend workshops. There are so many more wonderful choices waiting for you on the following pages. No matter the class you select, you’ll take home something in addition to a new painting, portfolio of drawings, craft project, or photo series you’re proud of. You’ll find a rewarding sense of enrichment, enjoyment, and satisfaction as you deepen your personal connection to the world of art. And any way you look at it, you’ll have created a masterpiece.
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Certificate Program in World Art History Art is all around us. It excites us, enriches our lives, and enlivens our imaginations. But to truly appreciate any work of art, we need to understand the context and culture in which it was produced. That’s why Smithsonian Associates offers an exciting certificate program in World Art History. The wide-ranging offerings are designed to provide a global perspective on art and architecture and draw on the Smithsonian’s world-class collections and the rich resources of other Washington institutions.
You love art. Now become the expert you’ve always wanted to be. The core courses and electives in our program are selected from among Smithsonian Associates’ ongoing courses, seminars, study tours, and studio art classes. Look for “World Art History Certificate” throughout the program guide to see current listings. Complete the program requirements at your own pace. Credits are counted from the day of program registration and are not given retroactively. Register now and receive invitations for special tours and informal gatherings with course leaders and other program participants.
To learn more about the Smithsonian Associates certificate program in World Art History, visit SmithsonianAssociates.org/ArtCertificate
Left column, from the top: Fresco of the Libyan Sibyl, ca. 1511, Sistine Chapel, by Michelangelo; Taj Mahal, completed 1643, Agra, India; The Young Ladies of Avignon, 1907, by Pablo Picasso; Equestrian ceramic figure; ca. 13th–15th centuries; Mali; second column; Lou Ruvo Brain Institute, 2010, by Frank Gehry, Las Vegas; The Calf-Bearer, ca. 570 B.C.; Athens, Greece; Girl with a Pearl Earring, ca. 1665, by Johannes Vermeer; Before the Ballet, ca. 1892, Edgar Degas
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Classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio View portfolios of work by our instructors at SmithsonianAssociates.org/artinstructors
GENERAL
Adult Art Camp 3-Day Workshop Why do the kids get to have all the fun? If you’ve been waiting for the chance to be an artist, don’t miss this unique workshop. Produce your own original artwork, explore a variety of media, and have plenty of fun.
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World Art History Certificate elective: Earn ½ credit
Composition HERMITAGE MUSEUM
Examine concepts and application of composition. Create collages based on art works and themes discussed, and explore connections between formal elements of visual art and art’s emotional impact.
3 sessions; 5.5 hours each; Susan Vitall; Sat., April 4— Mon., April 6, 10 a.m.; $80 supply fee covers all required materials; optional supply list and more details on website; participants provide their own lunches; CODE 1K0-0YC; Members $195; Nonmembers $215
Student work
Moroccan Café, 1913, by Matisse
TWO OPTIONS: 4 sessions; 3 hours each; Shahin Talishkan; Thurs., Feb. 20—March 12 (CODE 1K00UM); Tues., April 28–May 19 (CODE 1K0-0ZE); 2 p.m.; all supplies included; details on website; Members $155; Nonmembers $175
Creative Writing Workshop A Reflective Response at the Freer
Color Theory Become familiar with the color wheel, color value, chroma, and hue. Use acrylic paints and colored papers to explore color qualities and movement in shaping composition. 8 sessions; 2.5 hours each; Dan Riesmeyer; Mon., April 13–June 8 (no class May 25), 6:30 p.m.; details and supply list on website; CODE 1K0-0ZM; Members $235; Nonmembers $265
Learn how to slow down and savor the experience of looking at art as you view the Freer collection and then frame your response through descriptive writing and free verse. One 2-hour session; Fri., Mar. 27, 10:30 a.m.; Mary Hall Surface; Freer Gallery of Art; see website for more details; CODE 1K0-0YA; Members $30; Nonmembers $40
Connect with us on Social Media facebook.com/ smithsonianstudioarts
World Art History Certificate elective: Earn ½ credit
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World Art History Certificate elective: Earn ½ credit
Exploring the Visual Foundations and Traditions of Art Apply the science in Renaissance art. Enhance the visual dynamic in drawings using the Golden Ratio, the Rule of Thirds, three-point perspective, or the Fibonacci spiral. TWO OPTIONS: 2 sessions; 2 hours each; Chester Kasnowski; Thurs., March 5 and 12, 2 p.m.; CODE 1K0-0WA; Sat., May 2 and 9, 10:30 a.m.; CODE 1K0-0AZ; details and supply list on website; Members $65; Nonmembers $85
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World Art History Certificate elective: Earn ½ credit
Beginning Drawing
Out and About with an Artist: The National Gallery of Art
Develop basic drawing skills while working with a variety of materials and techniques, Explore geometric forms, volume, and perspective in still-lifes, architecture, and figure drawing.
A working artist provides a “behind-the-easel” perspective of masterworks exhibited at the National Gallery of Art. Viewings address historical and social context and technique. 4 sessions; 1.5 hours each; Adrienne Wyman; Sat., April
25–May 16, 2 p.m. (CODE 1K0-0YG); details on website; Members $95; Nonmembers $115
Painting instructor Adrienne Wyman provides insight
TWO OPTIONS: 8 sessions; 2.5 hours each; Josh Highter; Sun., April 19– June 14 (no class May 24), 10:15 a.m.; CODE 1K0-0YZ; Sallye Mahan-Cox; Tues., April 14–June 2, 6:30 p.m.; CODE 1K0-0AS; details and supply lists on website; Members $235; Nonmembers $265
Continued Drawing
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Developing Your Sketchbook
Lori VanKirk Schue
Refine and expand drawing skills through studio practice in traditional media. Sessions focus on four classic areas: still-life, landscape, portrait, and figure. Students should have completed a beginning drawing course. 8 sessions; 2.5 hours each; Dan Riesmeyer; Wed., April 15–June 3, 6:30 p.m.; CODE 1K0-0ZG; Members $235; Nonmembers $265
Transform your sketchbook as you boost your creativity. Learn basic drawing skills and improve your powers of observation working in public spaces in and near Smithsonian museums.
6 sessions; 3 hours each; Lori VanKirk Schue; Tues., April 21–May 26, 1 p.m.; details and supply list on website; CODE 1K0-0ZX; Members $195; Nonmembers $225
Portrait Drawing Drawing on the Right Side of Your Brain Build drawing ability and improve visualization and recording of objects on paper through drawing exercises focusing on edges and space, relationships between objects, and light and shadow. 8 sessions; 2.5 hours each; Shahin Talishkhan; Wed., April 15–June 3, 10:15 a.m.; details and supply lists on website; CODE 1K0-0ZF; Members $235; Nonmembers $265
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Create a portrait using charcoal or graphite. Explore the universal proportions of the face and learn how to better observe and record a subject’s features. 6 sessions; 2.5 hours each; Eric Westbrook; Mon., April 13-May 18, 7 p.m.; details and supply list on website; model fees included in tuition; CODE 1K0-0AT; Members $200; Nonmembers $230
By Eric Westbrook
Published ticket prices are subject to change, depending on availability.
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Figure Drawing and Independent Projects
Children’s Book Illustration Workshop
Acquire an understanding of advanced elements of composition, anatomy, and artistic direction as you work from live models.
Transform an author’s vision into vivid illustrations by learning the basics of interpreting a story through pictures. Information on working with publishers and protecting art is also discussed.
8 sessions; 3 hours each; MaxKarl Winkler; Fri., April 17–June 12 (no class May 22), 10:15 a.m.; model fees included in tuition; details and supply list on website; CODE 1K0-0AW; Members $245; Nonmembers $275
By Lori VanKirk Schue
One 5-hour session includes lunch break (students provide their own); Lori VanKirk Schue; Tues., June 2, 12 p.m.; details on website; CODE 1K0-0AF; Members $95; Nonmembers $105
Figure Drawing One-Day Marathon Working primarily on your own, with the instructor on hand for demos and advice, move between two model workstations running simultaneously (one for quick poses, one for extended work).
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Colored Pencils Weekend Workshop
By Max-Karl Winkler
One 7–hour session; Josh Highter; Sun., June 28, 10 a.m.; details and supply list on website; CODE 1K0-0ZB; Members $95; Nonmembers $105
Tap into the wide range of effects possible using colored pencils. Learn layering, blending and buffing strokes to achieve the translucency of watercolors with this dry medium. 2 sessions; 3 hours each; Lori VanKirk Schue; Sat., By Lori VanKirk Schue May 9 and 16, 1 p.m.; CODE 1K0-0AK; details on website; Members $95; Nonmembers $115
World Art History Certificate elective: Earn ½ credit
Drawing In Museums National Gallery of Art, Freer Gallery of Art, and Smithsonian American Art Museum
Develop rendering and composition skills, and learn the art of copying, by drawing paintings and classical sculptures displayed in the museums. 6 sessions; 2.5 hours each; Paul Glenshaw; Sat., April 18–May 30 (no class May 23), 1:30 p.m.; details and By student Claire Fuller supply list on website; CODE 1K0-0AN; Members $195; Nonmembers $225
Colored Pencils II Workshop Enhance you skill working with the medium of colored pencils. More in-depth techniques are discussed and demonstrated. Students may bring a work in progress or begin a new project in class, if desired. One 4-hour session; Lori VanKirk Schue; Sat., May 30, 11 a.m.; details on website; CODE 1K0– 0AL; Members $65; Nonmembers $75 By Lori VanKirk Schue
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Oil Pastels
Touch Painting
Become familiar with the basics of using brightly colored, long-lasting oil pastels through group technique demonstrations and one-on-one instruction.
Release your creativity through your fingertips, using your hands instead of brushes in this adult finger-painting class. Students use acrylic paints to produce artwork.
6 sessions; 2 hours each; Chester Kasnowski; Thurs., April 16–May 21, 10:30 a.m.; details and supply list on website; CODE 1K00AX; Members $185; Nonmembers $215
By Lori VanKirk Schue
TWO OPTIONS: One 2-hour session; Lori VanKirk Schue; Mon., March 2, 11 a.m. (CODE 1K0-0XD); 2 p.m. (CODE 1K0-0XE); all supplies included; details on website; Members $35; Nonmembers $45
Celebrating Bob Ross’s Joy of Painting
PAINTING
With Hands-on Painting Class
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Watercolor Magic Tricks and Tips Experiment with watercolor paints to achieve surprising results. Use salt, plastic wrap, rice paper, sand, ice, and even liquid soap to create unusual textures in your artwork.
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One 2-hour session; By Lori VanKirk Schue Lori VanKirk Schue; Fri., Feb. 7, 2 p.m.; supply list and details on website; CODE 1K00VM; Members $45; Nonmembers $55
Artist Bob Ross’s “Joy of Painting” program is the most-watched TV art show in history—and introduced painting to countless amateurs. Learn about the artist—and try his signature wet-on-wet technique in a painting class led by a certified Ross instructor. Sun., March 1, 10 a.m.–2 p.m.; 1-hour lunch break (participants provide their own); CODE 1L0-303; no experience necessary; all supplies included; Members $50; Nonmembers $70
Creativity Is a Keystroke Away Image-Software Workshop for Artists
Beginning Oil Painting
Rework a finished drawing, painting, watercolor or photograph–or create a new artwork–using a laptop and the free image-editing software, the GNU Image Manipulation Program app (GIMP2).
Explore basic painting techniques including colormixing, scumbling, and glazing to gain the technical background needed to get started as a painter.
2 sessions; 2 hours each; Chester Kasnowski; Sat., Feb. 22 and 29; CODE 1K0-0XF; 10:30 a.m.; bring laptop computer installed with GIMP2, and digital files of finished art work or photo-graphs; details on website; Members $65; Nonmembers $85 By Chester Kasnowski
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By Shahin Talishkhan
8 sessions; 3 hours each; Shahin Talishkhan; Thurs., April 16–June 4, 6:30 p.m.; CODE 1K0-0ZJ; details and supply list on website; Members $245; Nonmembers $275
Published ticket prices are subject to change, depending on availability.
©BOB ROSS INC./USED WITH PERMISSION
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World Art History Certificate elective: Earn ½ credit
Introduction to Watercolor
Traditional Oil Painting Techniques Lessons from Museum Masterpieces
Explore basic watercolor techniques and new approaches to painting through classroom demonstration, discussion, and experimentation.
Explore the signature effects of famous artists and draw on their techniques in painting demonstrations and exercises designed to broaden individual skills. 8 sessions; 3 hours each; Adrienne Wyman; Sat., April 18–June 13 (no class May 23), 10 a.m.; details and supply list on website; CODE 1K0-0ZK; Members $245; Nonmembers $275
TWO OPTIONS: 8 sessions; 2.5 hours each; Josh Highter; Sun., April 19–June 14 (no class May 24), 1:30 p.m.; CODE 1K0-0ZA; 7 sessions; 2.75 hours each; Dave Daniels; Mon., April 27–June 15 (no class May 25), 10:15 a.m.; CODE 1K0-0ZC; details and supply list on website; Members $245; Nonmembers $275
By David Daniels
Student in class
World Art History Certificate elective: Earn ½ credit
Botanicals in Watercolor
Techniques in Modernist Painting
Discover the versatility and fluidity of watercolor during this introduction to drawing and painting flora. Following step-by-step instructions using watercolor, work from reference photos to create your art.
8 sessions; 3 hours each; Shahin Still life in front of a window at Talishkhan; Tues., April 14–June Saint-Raphael, 1919, by Picasso 2, 10:15 a.m.; details and supply list on website; CODE 1K0-0ZD; Members $245; Nonmembers $275
Painting Is for Everyone Begin working in the medium of acrylic paints. Learn to mix colors, use brushes, and approach elements of form such as value, texture, line, color, shape, and edges. Explore composition and variation and learn art terminology.
8 sessions; 2 hours each; Chester Kasnowski; Wed., April 15–June 3; 2 p.m.; details and supply list on website; CODE 1K0-0BF; Members $225; Nonmembers $255
4 sessions; 3 hours each; Lubna Zahid; Thurs., May 28–June 18, 2 p.m.; details and supply list on website; CODE 1K0-0ZS; Members $165; Nonmembers $185
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Class exercises, including stilllife setups and model sessions, teach practical applications of modernism’s concepts and techniques. Develop a visual language through class lectures, demonstrations, and critiques.
By Chester Kasnowski
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By Lubna Zahid
MIXED-MEDIA
Handmade Cards from the Heart In celebration of all kinds of occasions of the heart, offer your special someone a handmade card. Learn card construction, sentiments, masking, and statement embellishments. Create cards in the session and leave with a basic starter kit to make a dozen masterpieces at home. One 3-hour session; Karen Cadogan; Sun., Feb. 2, 1 p.m.; all supplies provided; details on website; CODE 1K0-0XL; Members $65; Nonmembers $75
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Fabric Printing Using Natural Materials
By Sushmita Mazumdar
Handmade Storybooks Mixed-Media Workshop Explore the many creative ways to use paper while building and binding several books. Use standard bookmaking papers and thread as well as unusual materials such as manila folders and matchboxes. Fill the new books in an afternoon of creative writing and art-making. One 6-hour session; Sushmita Mazumdar; Sat., Feb. 8, 10 a.m.; all supplies provided; details on website; Studio Pause, 4108 4th St. N., Arlington, Virginia (Ballston Metro); onsite parking; CODE 1K00XK; Members $85; Nonmembers $95
Experiment with hand-printing on fabrics using colorful Akua water-based printmaking ink and natural materials. Practice printmaking techniques on muslin, and later design and hand-print a canvas bag.
TWO OPTIONS: One 5-hour session; Sue Fierston; Sun., March 1 (CODE 1K0-0XQ); Sun, May 17 (CODE 1K0-0BE); 10:30 a.m.; details on website; supply fee $25; Members $65; Nonmembers $75
Student’s work
Image Transfers and Photo Alteration Mixed-Media Workshop
Paper Frenzy
Use multiple methods for making and using image transfers. Topics include applications, choosing images, materials and techniques, altered photos as stand-alone artwork, and altered photos with collage.
Use a variety of art and printmaking materials to create a supply of accented papers for collage and other art projects. 2 sessions; 5 hours each; Sharon Robinson; Fri., Feb. 14 and 21, 10:30 a.m.; all supplies provided; details on website; CODE 1K0-0XJ; Members $125; Nonmembers $145 By Sharon Robinson
Off-the-Wall Assemblage Enshrine personal mementos in a wooden box that can stand alone or be wall mounted. Explore a range of materials for collage and embellishment, including papers, paint, metal fixtures, charms, wire, beads, and other objects.
Exploring Encaustic and Mixed-Media The encaustic medium can be molded, sculpted, and combined with collage materials. Learn how to incorporate drawings or prints on paper and other collage elements into encaustic paintings. INTENSIVE WORKSHOP:
By Sharon Robinson
4 sessions; 4 hours each; Sharon Robinson; Sat., Feb. 29–March 21, 10 a.m.; details and supply list on website; CODE 1K0-0XH; Members $185; Nonmembers $205
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3 sessions; 5 hours each; Sharon Robinson; Fri., March By Sharon Robinson 6–20, 10:30 a.m.; students provide photos, all other supplies provided; details on website; CODE 1K0-0XY; Members $195; Nonmembers $215
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One 6-hour session; Marcie Wolf-Hubbard; Sun., March 8, By Marcie Wolf-Hubbard 10:30 a.m.; details and supply list on website; CODE 1K0-0VB; Members $125; Nonmembers $135 COURSE OPTION: 2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sun., April 27 and May 4, 10:30 a.m.; details and supply list on website; CODE 1K0-0ZW; Members $195; Nonmembers $215 Published ticket prices are subject to change, depending on availability.
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Monoprint Without A Press
Collage and Mixed-Media
Create prints using Gelli and other types of plates, plus acrylic paints and other materials. Explore additive and subtractive methods, drawing on the plate, over-printing, and using stamps and other materials to create patterns.
Develop collage, mixedmedia or assemblage projects. Experiment with color, form, design and the use of text, images, texture, and found objects. COURSE OPTION:
2 sessions; 5 hours each; Sharon Robinson; Fri., March 27 and April 3, By Sharon Robinson 10:30 a.m.; all supplies provided; details on website; CODE 1K0-0XZ; Members $165; Nonmembers $185
Paper Easter Eggs Learn a fun and fast way to create Easter eggs to decorate your home for spring. Make the colorful, one-of-a-kind eggs using paper dots, small pins, and an overlapping paperpiecing technique.
By Lori VanKirk Schue
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TWO OPTIONS: One 2-hour session; Lori VanKirk Schue; Sat., April 4, 11 a.m.; CODE 1K00VN; Sat., April 4, 2 p.m.; CODE 1K0-0VP; supply fee $20; details on website; Members $45; Nonmembers $55
Crepe Paper Flower-Making Workshop Petal by petal, create a drought- and deerresistant spring tulip bouquet. Using various types and weights of crepe paper, learn the skills needed to create paper flowers. One 2.5-hour session; By Karen Cadogan Karen Cadogan; Sun., April 26, 1 p.m.; $15 supply fee covers all equipment and materials; details on website; CODE 1K0-0AM; Members $45; Nonmembers $55
8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Wed., April 15–June 3, 6:30 p.m.; details and supply list on website; CODE 1K0-0ZY; Members $235; Nonmembers $265 TWO WORKSHOP OPTIONS: 2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sat., Feb. 22 and Sun., Feb. 23 (CODE 1K0-0VC); Fri., April 17 and 24 (CODE 1K0-0AA); 10:30 a.m.; details and supply list on website; CODE 1K0-0VC; Members $195; Nonmembers $215
Altered Books Drawing and Painting in Collage and Mixed-Media Learn to upcycle book pages as surfaces for drawing, painting, and collage. Create your own story using gelatin plate prints, textures, photo transfers, drawing, painting, and text redaction. Get illustration ideas during a visit to the U.S. Botanic Garden. 8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Wed., April 15–June 3, 1:30 p.m.; details and supply list on website; CODE 1K0-0ZZ; Members $235; Nonmembers $265
By Marcie Wolf-Hubbard
Exploring Abstraction Develop a more intuitive way of working through drawing, painting, and collage exercises. Use traditional media such as charcoal and pastel, as well as liquid acrylic glazes, in nontraditional ways. 8 sessions; 3.5 hours each; Delna Dastur; Thurs., April 16– By Delna Dastur June 4, 12 p.m.; details and supply list on website; CODE 1K0-0ZH; Members $265; Nonmembers $295
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Build a Tiny House Working in paper mache, acrylics, and mixed media, create your own unique tiny house. Finish the house’s interior and exterior in acrylic and photo transfers.
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SCULPTURE Beginning Sculpture Sculpt head and face portraits using the medium of clay following hands-on studio practice and demonstrations. 8 sessions; 3 hours each; George Tkabladze; Mon., April 13–June 8 (no class May 25) 6:30 p.m.; details and supply lists on website; CODE 1K00BG; Members $250; Nonmembers $280
2 sessions; 5 hours each; Marcie WolfHubbard; Sun., April 26 and May 3, 10:30 a.m.; some shared materials By Marcie Wolf-Hubbard provided, additional supply list on website; CODE 1K0-0ZV; Members $165; Nonmembers $185
By George Tkabladze
Figure Sculpture Painting and Printing
Learn about clay sculpture techniques, tool use and armatures, and the planes of the human body. Sculpt either a portrait, torso, or full figure using a live model.
Transform contour drawings of leaf shapes into transparent watercolor paintings. Use a walking press to make leaf prints using water-based ink. Take home several 8-by-10-inch watercolor paintings and botanical leaf prints.
Student in class
One 5-hour session; Sue Fierston; Sun., May 10, 10:30 a.m.; details on website; supply fee $20; CODE 1K0-0BA; Members $65; Nonmembers $75
Gyotaku The Japanese Art of Printing with Fish
By Sue Fierston
This venerable art is accomplished by applying water-based printing inks to a whole fish and pressing it to paper. Create several 12-by-18inch prints featuring a variety of fish to bring home.
One 5-hour session; Sue Fierston; Sun., May 3, 10:30 a.m.; details on website; supply fee $25; CODE 1K0-0BD; Members $75; Nonmembers $85
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8 sessions; 3 hours each; George Tkabladze; Mon., April 13–June 8 (no class May 25) 2 p.m.; details and supply lists on website; CODE 1K0-0BH; Members $250; Nonmembers $280 By George Tkabladze
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CALLIGRAPHY Introduction to Calligraphy The Foundational Hand Learning the basic letterforms of the Foundational Hand opens the door to other calligraphic hands such as Italic and Black Letter. Upper and lower case letters are covered as well as basic layout and design.
8 sessions; 2.5 hours each; Sharmila Karamchandani; Wed., April 15–June 10 (no class May 20), 1:30 p.m.; supply list and details on website; CODE 1K0-0AV; Members $235; Nonmembers $265 Published ticket prices are subject to change, depending on availability.
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Introduction to Pointed-Pen Calligraphy
Decorative Lettering
Add sophistication to your hand-lettering when you learn the basic strokes of the copperplate script alphabet and practice using nibs in an elbow holder. No experience required, just a steady hand.
The art of stylized lettering personalizes everything from journal pages and invitations to recipe cards. This class introduces students to decorative forms such as altered block letters, botanical borders, and illuminated initials with vines and flourishes.
8 sessions; 2.5 hours each; Sharmila Karamchandani; Mon., April 13–June 8 (no class May 25), 1:30 p.m.; supply list and details on website; CODE 1K0-0ZL; Members $235; Nonmembers $265
4 sessions; 3 hours each; Lubna Zahid; Thurs., May 28–June 18, 10:15 a.m.; details and supply list on website; CODE 1K0-0ZR; Members $165; Nonmembers $185 By Lubna Zahid
Indian Art and Calligraphy
This series combines detailed looks at Indian and South Asian objects and artworks in the Freer and Sackler collections with the opportunity to try your hand at calligraphy inspired by them.
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FREER GALLERY OF ART
An Immersive Exploration
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Palestinian Waste-Canvas Technique Vasanta Vilasa (a poem on Spring)
6 sessions; 3 hours each; (detail), 1451, Guajarat, India Sushmita Mazumdar; Sun., Feb. 23–March 29, 10:15 a.m.; details and supply list on website; CODE 1K0-0XM; Members $195; Nonmembers $225
Exploring Eastern Calligraphy
For centuries, Palestinian women have created a traditional long-sleeved dress called a thobe, which is first embroidered onto fabric using waste canvas. Learn the technique by By Wafa Ghnaim transferring a pattern onto an 8 x 10 organic cotton drawstring pouch to take home. One 3-hour session; Wafa Ghnaim; Sun., Feb. 2, 12 p.m.; details on website; all supplies included; CODE 1K0-0VS; Members $65; Nonmembers $75
Persian and Arabic Script Guided by a graduate of Kabul’s Turquoise Mountain Institute, learn to apply the traditional elements of Persian and Arabic calligraphy, with verses by Rumi and from the Quran providing inspiration. By Sughra Hussainy
6 sessions; 3 hours each; Sughra Hussainy; Sat., May 16–June 27 (no class May 23), 2 p.m.; all supplies included; details on website; CODE 1K0-0AR; Members $195; Nonmembers $225
Hand Embroidery for Today Learn basic hand embroidery stitches to create modern designs on contemporary fabrics. Explore threads and tools to enhance knits, felted wools, and ready-made garments. One 4-hour session; Lauren Kingsland; Sat., Feb. 8, 10 a.m.; By Lauren Kingsland details and supply list on website; CODE 1K0-0XN; Members $55; Nonmembers $65
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Create a miniature woven tapestry on a small frame loom. Class instruction includes basic tapestry-weaving techniques such as warping the loom, color mixing and hatching.
Birds of Palestine on Aida Cloth
8 sessions; 2.5 hours each; Tea Okropiridze; Mon., April 13–June 8 (no class May 25), 6:30 p.m.; details on website; supply fee $40; CODE 1K0-0AY; Members $225; Nonmembers $255
By Wafa Ghnaim
By Tea Okropiridze
One 3-hour session; Wafa Ghnaim; Sat., Feb. 29, 12 p.m.; details on website; all supplies included; CODE 1K0-0VT; Members $65; Nonmembers $75
Three Women of the Arts and Crafts Movement
Mandala Wall Hanging Workshop Eastern sacred design meets Western textile techniques as students create a quilted mandala wall hanging based on the kolam design tradition. Please come and enjoy a peaceful, creative experience.
By Lauren Kingsland
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Tapestry Weaving
Palestinian Embroidery 101 Recalling the long tradition of Palestinian women working together on embroidery projects, learn the basic Palestinian cross-stitch to create a traditional bird motif on aida cloth. Take home an embroidered hoop-mounted design.
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2 sessions; 5 hours each; Lauren Kingsland; Sat., March 7 and 14, 10:30 a.m.; details and supply list on website; CODE 1K0-0VW; Members $110; Nonmembers $130
The Arts and Crafts Movement incited an artistic response to industrialization in Britain. Hear how three woman—May By Lauren Kingsland Morris, Phoebe Anna Traquair, and Margaret Macdonald—raised the craft of embroidery to fine-art status, and then take part in a hands-on embroidery project. One 3-hour session; Fri., April 17, 1 p.m.; Elizabeth Lay and Lauren Kingsland; all supplies included; CODE 1K0-0BJ; Members $55; Nonmembers $65
The Inspirational Quilts of Gee’s Bend Learn the storied history of the Boykin, Alabama, quilting tradition and community of Gee’s Bend, followed by a Gee’s Bend-inspired quilting project. One 5-hour session; Lauren Kingsland; Sat., March 21, 10:30 a.m.; details and supply list on website; bring sack lunch and something to share; limited to 14 participants; CODE 1K0-0VX; Members $75; Nonmembers $85
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Knitting in Living Color Workshop Explore color techniques used in knitting. After demonstrations of duplicate stitch, intarsia, mosaic, and Fair Isle color work, try the various techniques, look at knitted samples, and discuss color work strategies. Basic knitting skills are required. One 6-hour session; Ann Richards; Sat., April 18, 10:15 a.m.; supply list and details on website; CODE 1K0-0BK; Members $75; Nonmembers $85
Published ticket prices are subject to change, depending on availability.
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Back-to-Basics Boot Camp for Knitters
Laundry to Legacy Repurposing Treasured Garments into Memory Quilts
Refresh—or advance—knitting skills and your knowledge of fundamentals: casting on, basic knit and purl stitches, increasing, decreasing, and binding off. Review knitting equipment, and practice taking gauge.
Transform T-shirts and other garments into memory quilts—gifts that also preserve memories. Learn how to work with stretchy fabrics, color ideas, quilting options, and finishing techniques. Using paper, practice creating a quilt from blocks in a variety of sizes. By Lauren Kingsland
One 5-hour session, includes lunch break (participants provide their own); Lauren Kingsland; Sat., April 25, 10:30 a.m.; supply list and details on website: CODE 1K0-0AB; Members $55; Nonmembers $65
One 7-hour session, includes lunch break (participants provide their own); Ann Richards; Fri., May 15, 10 a.m.; details and supply list on website; CODE 1K0-0BL; Members $85; Nonmembers $95
Knitted Botanicals
Indigo and Shibori Workshop
If you want to learn how to add colorful flowers to your next knitted garment or art project, this workshop is for you. Students who have completed a beginner’s class or have intermediate-level skill are welcome.
Japan and India have long used brilliant blue indigo dye to apply dramatic patterns to fabric. Working with this timeless natural color, create unique silk scarves using the classic Japanese shibori resistdyeing technique.
Quilting for Beginners A Small Handmade Quilt Learn the basics of quiltmaking by creating several small quilts while learning the same piecing, appliqúe, quilting, and finishing techniques used in larger quilts. 2 sessions; 4 hours each; Lauren Kingsland; Sat., May 9 and 16, 12 p.m.; details and supply list on website; CODE 1K0-0AC; Members $85; Nonmembers $105
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TWO OPTIONS: One 5-hour session; Trisha Gupta; Fri., May 1, 10 a.m. (CODE 1K0By Trisha Gupta 0ZT); Fri., May 8, 10 a.m. (CODE 1K0-0ZU); all supplies included; details on website; Members $95; Nonmembers $105
One 3-hour session, includes lunch break (participants provide their own); Ann Richards; Sat., June 13, 10 a.m.; CODE 1K0-0BM; Members $85; Nonmembers $95
OTHER MEDIA
Heart Basket Use basic weaving techniques including planning and measuring, as you produce a beautiful heart-shaped basket from a complex woven pattern that is deceptively easy to create. One 3-hour session; Lori By Lori VanKirk Schue VanKirk Schue; Sat., Feb. 1, 1 p.m.; supply fee $35; details and supply list on website; CODE 1K0-0VQ; Members $65; Nonmembers $75
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Valentine’s Day Bouquets
Sogetsu Ikebana
A Floral Workshop with Sarah von Pollaro
Modern Japanese Flower Arranging
Celebrate Valentine’s Day and learn the fundamentals of floral design from an instructor who demystifies the art. Create a one-of-a-kind arrangement to gift to a loved one (or keep for yourself) and enjoy champagne, strawberries, and chocolates. One 1.5-hour session; Sarah von Pollaro; Tues., Feb. 11, 6:30 p.m.; all supplies included; CODE 1L0-302; Members $70; Nonmembers $90 By Sarah von Pollaro
Create beautiful basic and free-style arrangements with flowers, branches, greens, and other materials. 6 sessions; 2 hours each; Jane Redmon; Wed., April 15–May 20, 6:30 p.m.; flowers, branches, greens, and other basic materials are included in tuition, details and additional supplies on website; CODE 1K0-0ZQ; Members $200; Nonmembers $230
Mosaics: Broken-Dish Portraiture
A Bird-Helper’s Basket
Use the picassiette technique to resurrect a chipped or damaged family heirloom into an animal or human mosaic portrait. Instruction covers transferring designs, nipping, cutting, tool use, good design methods, and grouting.
At nesting time, nature’s weavers love to use bits and pieces of fluff and string to add to their nests. Learn how to create a simple basket for the birds in your garden. TWO OPTIONS: One 3-hour session; Lori VanKirk Schue; Fri., March 6, 11 a.m.; CODE 1K00VK; Sat., March 7, 1 p.m.; CODE 1K0-0VR; supply fee $35; supply list and details on website; Members $65; Nonmembers $75
8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., April 14–June 2, 1 p.m.; $70 supply fee; details and supplemental supply list on website; CODE 1K0-0ZN; Members $245; Nonmembers $275 By Lori VanKirk Schue
Relief Printing
Contemporary Mosaics
Linocut and Woodblock
From the Bottom Up
Design and produce relief prints from techniques of design and transfer through cutting and printing the block.
Find inspiration in both the ancient art of mosaics and the form’s international movement. Create a mixed-media abstract mosaic and learn new mosaic fabrication techniques.
8 sessions; 2.5 hours each; MaxKarl Winkler; Tues., April 14–June 2, 6:30 p.m.; details and supply list on website; CODE 1K0-0BB; Members $225; Nonmembers $255 By Max-Karl Winkler
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By Bonnie Fitzgerald
SmithsonianAssociates.org 202-633-3030
By Bonnie Fitzgerald
8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., April 14–June 2, 6:30 p.m.; $85 supply fee; details and supplemental supply list on website; CODE 1K0-0ZP; Members $245; Nonmembers $275
Published ticket prices are subject to change, depending on availability.
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Native Orchids Spend an afternoon with an orchidcare expert learning about orchids native to the northeast United States, where to find them in nature, and how to grow them. Re-pot a native orchid into a container to take home. End the day with light refreshments and a question-andanswer session. One 2-hour session; Barbara Schmidt; Sun., April 19, 2 p.m.; details and supply list on website; CODE 1K00YF; Members $75; Nonmembers $85
STUDIO ART Hammered Hoop Earrings Come ready to pound some metal. Hammer thick wires into sheets that are then accentuated with oxidization and patinas. Leave with oneof-a-kind jewelry pieces.
One 3.5-hour session; Mïa Vollkommer; Fri., April 24, 10:30 a.m.; supply fee $20; By Mïa Vollkommer additional supply list online; hand tools available to share; CODE 1K0-0AH; Members $75; Nonmembers $85
Orchid planted outside
Introduction to Beading After basic instruction in bead stringing, wire-working, and pearl knotting, create necklaces, earrings, and single-strand necklaces or bracelets.
Pysanky A Ukrainian Easter Egg Decorating Workshop Create pysanky, colorful eggs decorated with traditional Slavic folk designs. Inscribe the designs with a stylus on beeswaxcovered eggs, which are then dipped in dye.
COURSE OPTION: 3 sessions, 3 hours each; Mïa Vollkommer; Tues., Wed., and Fri., April 21, 22 and 24, 6:30 p.m.; $25 sterling silver findings kit fee; details and additional supply list online; CODE 1K0-0AG; Members $195; Nonmembers $215
One 4-hour session; Joanna Lohr; Sat., April 11, 12 p.m.; all supplies provided ; CODE 1K0-0BC; Members $65; Nonmembers $75
INTENSIVE WORKSHOP: One 7By Mïa Vollkommer hour session; Mïa Vollkommer; Sat., April 25, 10 a.m.; $25 sterling silver findings kit fee; details and additional supply list online; CODE 1K0-0AJ; Members $150; Nonmembers $160
Introduction to Afghan Manuscript Illumination Practice gold-leaf manuscript illumination in the Afghan tradition. Create geometric, vegetal, and floral motifs and naturebased designs used as ornamentation for calligraphy, manuscripts, and more. 6 sessions; 3 hours each; Sughra Hussainy; Sat., May 16–June 27 (no class May 23), 10 a.m.; details and By Sughra Hussainy additional supply list on website; CODE 1K0-0AQ; Members $195; Nonmembers $225
Fabulous Findings and Dramatic Dangles Fashion unique jewelry with findings made from wire in a variety of gauges and sheet metal. Safe use of tools and materials is discussed. One 7-hour session, includes a lunch break (students provide their own); Mïa Vollkommer; Sun., April 26, 10:30 a.m.; $45 By Mïa Vollkommer wire and sheet metal kit fee ($60 for kit plus shop shears); additional supply list online; CODE 1K0-0AE; Members $125; Nonmembers $135
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PHOTOGRAPHY: Beginner
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Introduction to Black-and-White Film Photography and the Darkroom Get a grounding in the basics of using a 35mm camera and photo darkroom techniques. Sessions feature lecture-demonstrations, class assignments, critiques, and practical darkroom work.
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Introduction to Lightroom Weekend Workshops Adobe Lightroom is useful for organizing and editing image files. Learn to use it for importing, exporting, deleting, and grouping files; sorting files; attaching keywords; and improving tone, color, and detail. TWO OPTIONS: 2
8 sessions; 3 hours each; Paul Matthai; Mon., April 13–June 8 (no class May 25), 6:30 p.m.; CODE 1K0-0YD; all developing chemicals are provided; details on website; Members $235; Nonmembers $265
sessions; 4 hours each; Eliot Cohen; Sat., March 21 and Sun., March 22 (CODE 1K0-0WK); Sat., May 30 and Sun., May 31 (CODE 1K0-0YL); 9:30 a.m.; (limited to 10); bring laptop with Lightroom 6 or Lightroom Classic (not CC); more details on website; Members $225; Nonmembers $245
Introduction to Photography
Understanding Your Digital Mirrorless or SLR Camera
Class sessions emphasize the basics: camera functions, exposure, metering, working with natural and artificial light, and composition. Develop technical skill through assignments and offsite photo shoots. TWO OPTIONS: 8 sessions; 2.5 hours each; Andargé Asfaw; Tues., April 14–June 2, 6:30 p.m. (CODE 1K0-0BR); Wed., April 15–June 3, By Andargé Asfaw 10:15 a.m. (CODE 1K0-0YN;); camera with manual controls and tripod required; details on website; Members $225; Nonmembers $255
Moving Beyond Auto Mode This workshop covers ISO, shutter speed, aperture, depth of field, RAW vs. JPEG files, and White Balance. Learn various shooting modes and get hands-on experience in a practice session on the Mall. FIVE OPTIONS: One 7-hour session; Eliot Cohen; Sun., Feb. 9 By Eliot Cohen (CODE 1K0-0WL); Sun., March 15 (CODE 1K0-0WJ); Sun., April 19 (CODE 1K0-0YH); Sun., May 17 (CODE 1K0-0YJ); Sun., June 14 (CODE 1K0-0YK); 9:30 a.m.; details on website; Members $210; Nonmembers $220
Introduction to iPhone Photography
Arriving Hungry?
Snacks are available for purchase (cash only) in the Ripley Center concourse outside our offices on Mondays–Thursdays, 6–7:15 p.m.
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Create great images by reviewing photography basics such as composition and exposure, and exploring the best apps, accessories, and editing and image management tools. TWO OPTIONS: One 4-hour session; Peggy Feerick; Sat., March 14 (CODE 1K0-0XW); Sun., March 15 (CODE 1K0-0XX); 10 a.m.; details on website; Members $75; Nonmembers $85
By Peggy Feerick
Published ticket prices are subject to change, depending on availability.
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Introduction to Photography II
By Andargé Asfaw
8 sessions; 2.5 hours each; Andargé Asfaw; Tues., April 14–June 2, 10:15 a.m.; camera with manual controls and tripod required; details on website; CODE 1K0-0YM; Members $225; Nonmembers $255
STUDIO ART Photographic Creativity, Design, and Composition
PHOTOGRAPHY: Experienced Expand your understanding of photography fundamentals such as lighting, composition, shooting techniques, and gear, and photoediting software. A photo excursion reinforces in-class instruction.
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Achieving a balance of visual tension in an image creates well-made visual relationships. Gain a better understanding of compositional elements and their application in lectures and assignments focusing on extended shutter speeds, light graffiti, bokeh templates, and macro photography. TWO OPTIONS: 5 sessions; 3 hours each; Joe Yablonsky; Wed., Feb. 5–March 4, (CODE 1K0-0WX); Mon., May 4–June 8 (no class May 25), (CODE 1K0-0YX); 6:30 p.m.; details on website; Members $185; Nonmembers $215
Mastering Exposure
Open Darkroom Plus Elevate darkroom skills through small-group lectures, individual instruction, and independent work. Learn about toning, fiber-based printing, dodging and burning, and assessment of print quality. FOUR OPTIONS: 8 sessions; 3 hours each; Paul Matthai; Thurs., April 16–June 4, 6:30 p.m.; CODE 1K0-0YE; Joe Yablonsky; Wed., April 15–June 3, 6:30 p.m.; CODE 1K0-0AU; Sat., April 18–June 13 (no class May 23), 10:15 a.m.; CODE 1K0-0YU; Sat., April 18–June 13 (no class May 23), 1:30 p.m.; CODE 1K00YV; all developing chemicals are provided; details on website; Members $235; Nonmembers $265
Develop a greater understanding of exposure modes, exposure compensations, filter exposure factors, bracketing, meterBy Joe Yablonsky ing modes, histograms, zone system, dynamic range, eliminating camera shake, tripods, and some flash concepts. Hone skills through assignments and in-class reviews. 5 sessions; 3 hours each; Joe Yablonsky; Thurs., Apr. 30–May 28, 6:30 p.m.; details on website; CODE 1K0-0YW; Members $185; Nonmembers $215
On-Location Photography Sharpen your way of thinking about shooting outdoors. Sessions include lectures on depth of field, exposure adjustments, using a tripod, composition, and natural lighting conditions. Develop shooting strategies on field trips and in critique sessions.
Introduction to Studio Portraiture Produce a portfolio of student and model portraits in this class that focuses on basics such as posing a subject; using highlight and shadow; high key and low key lighting; using a flash meter; and understanding strobe lighting. By Andargé Asfaw
8 sessions; 3 hours each; Andargé Asfaw; Mon., April 13–June 8 (no class May 25), 6:30 p.m.; model fees included in tuition; details on website; CODE 1K0-0YP; Members $235; Nonmembers $265
By Joe Yablonsky
8 sessions; 3 hours each; Joe Yablonsky; Sun., April 19–June 14 (no class May 24), 1:30 p.m.; camera with manual controls required; details on website; CODE 1K0-0YT; Members $235; Nonmembers $265
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Exhibiting and Selling Your Photographs Get your photos seen and sold. Learn about strategies such as juried exhibitions, photo contests, showing in alternative spaces, art festivals, galleries, and websites. Sessions also address photographic portfolios, copy-righting, email marketing, postcards, pricing, printing photos, and matting and framing. TWO OPTIONS: One 3-hour session; Joe Yablonsky; Mon., Feb. By Joe Yablonsky 10 (CODE 1K0-0WW); Thurs., June 4 (CODE 1K0-0YS); 6:30 p.m.; details on website; Members $45; Nonmembers $55
Custom Digital Printing and Mat Cutting Printing digital photos and custom cutting mat board windows is explained in sessions that describe online printing labs, paper choices, aspect ratios, mat board choices, and cutter tools. Final assembly of printed photos is done in class. TWO OPTIONS: 2 sessions; 3 hours each; Joe Yablonsky; Mon., March 5 and 12 (CODE 1K0-0WZ); Tues., June 9 and 16 (CODE 1K0-0YY); 6:30 p.m.; details on website; Members $100; Nonmembers $120
Advantages to providing your email to customer service: • Receive a digital version of the member program guide so you can read it anywhere • Receive important notices regarding your ticket and tour purchases, including inclement-weather announcements and location changes
Three Reasons To Support Smithsonian Associates 1. You want us to continue our long tradition of excellence in programming. 2. Basic memberships and tickets cover only a portion of our costs. 3. We receive no federal funding.
To learn more about levels of support and insider benefits, visit our website: SmithonianAssociates.org/levels or call 202–633–3030 (M–F, 9–5) Demonstrate your support today. The returns will exceed your expectations.
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Published ticket prices are subject to change, depending on availability.
A Select Sampling of World Art History Certificate Programs
THE BARNES COLLECTION
World Art History Certificate elective: Earn ½ credit
TOM CRANE
The Barnes Foundation Philadelphia
The Barnes is often considered the greatest post-impressionist and early-modern art collection in the world, with more than 3,000 masterpieces. Opened in 2012, the Barnes’ downtown Philadelphia location was designed to be a complement to the world-famous Barnes art collection. The museum’s dazzling collections of French modern and post-impressionist paintings include masterpieces by Renoir, Cezanne, Matisse, Picasso, Seurat, Rousseau, Manet, and Degas. Also see Greek, Roman, and Egyptian antiquities, Chinese painting, African sculpture, Southwestern retablos, Native American art, and American decorative arts. Participants visit the special exhibition Apples and Cakes, 1873–1877, by Paul Cézanne Marie Cuttoli: The Modern Thread from Miro to Man Ray, which traces how in 1930s Paris leading modern artists experimented with tapestry design, thanks to the efforts of pioneering entrepreneur Marie Cuttoli who commissioned such artists as Picasso, Braque, Le Corbusier, Man Ray, and Miró to create designs for the historic tapestry workshops in Aubusson. The tour is led by art historian Bonita Billman, who offers a lecture en route to Philadelphia.
DAY TOUR Sat., April 11, 8 a.m.–7 p.m.; by bus; detailed information on website; lunch at museum; CODE 1ND-015; Members $175; Nonmembers $225 The Barnes Foundation
HERMITAGE STATE MUSEUM
World Art History Certificate elective: Earn 1 credit
Painters in Provence From Van Gogh to Matisse The South of France, with its brilliant Mediterranean light and varied vistas, has long been a magnet for plein-air painters. This is the world Vincent van Gogh describes as his “high yellow note.” Art historian Bonita Billman looks into the inspiration that places like Avignon, Arles, Aix-en-Provence, St. Remy, St. Tropez, and Nice provided for 19thand early-20th-century painters, including Van Gogh, Cezanne, Signac, and Matisse. MUSEUM OF MODERN ART
9:30 a.m. The Art History of the South of France 11 a.m. The High Yellow Note: Van Gogh in Arles and St. Remy
Roofs in Collioure, 1905, Henri Matisse
12:15 p.m. Lunch (participants provide their own) 1:30 p.m. Cezanne in Aix-en-Provence 3 p.m. Post-Impressionists Signac and Matisse in the South Sat., April 18, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-075; Members $90; Nonmembers $140 The Starry Night, 1889, by Vincent van Gogh
To learn more about the Smithsonian Associates certificate program in World Art History, visit SmithsonianAssociates.org/ArtCertificate
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RISA RYAN
RISA RYAN
Smithsonian Associates Membership Benefits Advocate–$175
Smithsonian Associates opens the Smithsonian’s rich and varied resources to our members. When you join Smithsonian Associates you become a part of the largest museum-based cultural and educational program in the world. world. As an insider, youunparalleled have unparalleled to the As an insider, you have accessaccess to the Smithsonian's Smithsonian's world of knowledge—and enjoy a full array of world of knowledge—and enjoy a full array of exclusive benefits. exclusive benefits. Smithsonian Associates, unlike the museums, is not federally funded and relies Smithsonian unlike the museums, is notthe federally funded program and relies instead on Associates, individual contributions to help bridge gap between instead on individual to help the gap between program expenses and ticketcontributions revenues. There are bridge many membership options across the expenses and ticket revenues. are many membership options across the Smithsonian Institution, but There Smithsonian Associates membership is the ONLY Smithsonian Institution, but Smithsonian Associates membership is the ONLY program that directly supports Associates’ programming and outreach efforts, and program that supports programming and outreach and the only waydirectly to access ticket Associates’ discounts and exclusive benefits at our efforts, programs. theEffective only way to access January 2019 ticket discounts and exclusive benefits at our programs.
Promoter–$100 Promoter–$100 Champion–$80 Champion–$80 Associate–$50 Associate–$50
INTRODUCTORY INTRODUCTORYMemberships Memberships When you become a member you’ll bebe among thethe first to to know about thethe outstanding programs wewe When you become a member you’ll among first know about outstanding programs bring you every month—which add upup to to more than 750 opportunities forfor discovery, enrichment, bring you every month—which add more than 750 opportunities discovery, enrichment, and learning you’ll find nowhere else. Membership has itsits benefits: Members receive a range of of and learning you’ll find nowhere else. Membership has benefits: Members receive a range valuable discounts, including savings upup to to 35% offoff Smithsonian Associates program tickets, and valuable discounts, including savings 35% Smithsonian Associates program tickets, and access to to tickets before they gogo onon sale to to thethe general public. access tickets before they sale general public.
ticket priority before programs gogo onon sale to to the public (some exclusions apply) ● ● ● ● ● ● Members-only Members-only ticket priority before programs sale the public (some exclusions apply) ● ● ● ● ● ● Eligibility to to purchase one ticket per program at at the discounted member price (savings upup to to 35%) Eligibility purchase one ticket per program the discounted member price (savings 35%) ● ● ● ● ● ● Subscription to to the monthly Smithsonian Associates program guide Smithsonian Associates program guide Subscription the monthly ● ● ● ● ● ● Access to to members-only programs, including the popular annual Breakfast at at the Zoo Access members-only programs, including the popular annual Breakfast the Zoo ● ● ● ● ● ● Access to to two complimentary tours of of exhibitions throughout the year Access two complimentary tours exhibitions throughout the year ● ● ● ● ● ● Access to to free Associates events asas available (notification sent viavia email) Access free Associates events available (notification sent email) ● ● ● ● ● ● 10% discount at at SmithsonianStore.com (with a special code) and select Smithsonian museum restaurants 10% discount SmithsonianStore.com (with a special code) and select Smithsonian museum restaurants ● ● ● ●
Eligibility to to purchase upup to to four tickets per program at at the discounted member price Eligibility purchase four tickets per program the discounted member price
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Priority consideration forfor waitlisted programs, including study tours (some exclusions apply) Priority consideration waitlisted programs, including study tours (some exclusions apply)
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Recognition onon the Smithsonian Associates website Recognition the Smithsonian Associates website
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Eligibility to to purchase upup to to sixsix tickets per program at at the discounted member price tickets per program the discounted member price Eligibility purchase
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Smithsonian magazine delivered to to your home Smithsonian magazine delivered your home
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Member discounts onon ArtArt Collectors Program fine-arts prints Member discounts Collectors Program fine-arts prints
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20% discount at at SmithsonianStore.com during special Member Days sales 20% discount SmithsonianStore.com during special Member Days sales
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Benefactor–$5,000 and up
Partner–$2,500
Sponsor–$1,000
Patron–$600
Contributor–$300
Advocate–$175
CIRCLE of SUPPORT
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Recognition in the Smithsonian Associates program guide annual donor list and the annual donor plaque at our headquarters on the National Mall
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Complimentary tickets for two to a lecture or performance (value equal to $30 per ticket or less)
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Copy of the Smithsonian’s annual report
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Complimentary VIP tickets for two and a parking pass for Breakfast at the Zoo
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Invitation for two to the prestigious Annual Smithsonian Weekend
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Recognition in the Smithsonian’s annual report
As a member of Smithsonian Associates Circle of Support, you’ll play a vital and valued role in our work. Your contributions to Smithsonian Associates provide the support that enables all of our programs to continue and grow. There’s no better time to consider enhancing the level of your support. Depending on the level you choose, you’ll enjoy enhanced benefits such as early registration for Smithsonian Summer Camp and special programs, reserved seating at sold-out events, and invitations to exclusive receptions with speakers.
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Recognition as a sponsor of a selected Smithsonian Associates program
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HELPFUL INFORMATION
1 Baird Auditorium Natural History Museum 10th and Constitution Ave., NW Metro: Federal Triangle (Blue/Orange/Silver) 2 Warner Bros. Theater American History Museum 14th and Constitution Ave., NW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 3 Lisner Auditorium George Washington University 21st and H St., NW Metro: Foggy Bottom/GWU (Blue/Orange/Silver) 4 Meyer Auditorium Freer Gallery of Art 12th and Independence Ave., SW Metro: Smithsonian station, Independence Ave. exit (Blue/Orange/Silver) 5 Nan Tucker McEvoy Auditorium Smithsonian American Art Museum 8th and G Sts., NW Metro: Gallery Place-Chinatown (Red, Yellow/Green) 6 Rasmuson Theater American Indian Museum 4th and Independence Ave., SW Metro: L‘Enfant Plaza (Blue/Orange/Silver or Green/Yellow); Maryland Ave./Smithsonian Museums Exit
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7 Renwick Gallery, Grand Salon 1661 Pennsylvania Ave., NW Metro: Farragut North (Red) or Farragut West (Blue/Orange/Silver) 8 Ring Auditorium Hirshhorn Museum and Sculpture Garden 7th and Independence Ave., SW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 9 Ripley Center 1100 Jefferson Drive, SW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 10 Smithsonian Castle 1000 Jefferson Drive, SW Metro: Smithsonian–Mall exit (Blue/Orange/Silver) 11 STUDY TOURS BUS PICKUPS Location for most local tours: Holiday Inn Capitol, 550 C St., SW (corner of 6th & C); Metro: L’Enfant Plaza–7th & Maryland Ave. exit (Yellow/Green/ Blue/Orange/Silver)
12 U.S. Navy Memorial Foundation Auditorium 701 Pennsylvania Ave., NW Metro: Archives-Navy Memorial (Green/Yellow) 13 Voice of America Auditorium Wilbur J. Cohen Building 330 Independence Ave., SW (enter on C St.); Metro: Federal Center SW (Blue/Orange/Silver) 14 University of the District of Columbia Theater of the Arts (Not shown on map.) 4200 Connecticut Ave., N.W. Metro: Van Ness/UDC (Red line) METRO The Mall entrance of the Smithsonian station closes at 10 p.m. The other entrance, at Independence Ave. and 12th St., SW, closes at midnight and at 3 a.m. on Fridays and Saturdays), as do the Gallery Place and Federal Triangle stations, To be sure not to miss the last train to your destination, call Metro at 202-637-7000 for schedules.
PARKING Nearby Colonial Parking garages are shown on the map. Some offer $6 parking for our events on weekday evenings after 5:30 p.m. and all day on Saturday and Sunday. Inquire before parking and have your event ticket with you. Parking lot hours vary. Very limited metered parking is available around the Mall ($2 per hour).
MEMBERSHIP Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets; a monthly Smithsonian Associates program guide; discounts at museum shops and restaurants; notices about behind-the-scenes tours and special receptions with world-class speakers; and much more! Visit SmithsonianAssociates.org/join or call 202-633-3030 for more information. Join today!
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Online.......................SmithsonianAssociates.org Email ........................Customerservice@SmithsonianAssociates.org Phone..........................202-633-3030 Mon.–Fri., 9 a.m.–5 p.m.; Fax 202-786-2536
202-633-3030 SmithsonianAssociates.org/levels
Mail .............................Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293 In person ...................Mon.– Fri., 10 a.m.–5 p.m.; Ripley Center, 1100 Jefferson Dr., S.W., Suite 3077, Washington, D.C. 20560 Fees............................There is a $3 nonrefundable per ticket processing fee on all tickets, except for Members-Only free events, Summer Camps, Smithsonian Sleepovers, and Discovery Theater. Please note that programs with multiple sessions have discounted processing fees applied to each individual session and charged as one fee. There is an additional $3 nonrefundable per order handling fee on phone orders.
REFUNDS are only issued when a program is canceled or if it sells out before we receive your order.
CREDIT TO YOUR SMITHSONIAN ASSOCIATES ACCOUNT Credit for cancellations or exchanges are only available for programs that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable. Programs and Studio Arts Classes If a program or studio arts class is more than $40, and you wish to cancel your tickets or exchange them for another program, please contact Customer Service in writing (email, mail, or fax) at least two weeks before the program date to request a credit. (See contact information above.) Please note that there is a $10 cancellation fee, as well as a cost adjustment when there is a price difference between the programs. Courses To receive credit to your Smithsonian Associates account for a course, (excluding studio arts classes), please contact Customer Service in writing (email, mail, or fax) at least two weeks before the first session. Credit will also be issued within two weekdays after the first session, provided that Customer Service is contacted in writing
CHANGES IN PUBLISHED SCHEDULES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule or relocate any program, if needed. Occasionally, a time, date, or location of a program must change after it has been published or tickets have been mailed. Participants are notified by phone, email, or mail. Be sure to check our website SmithsonianAssociates.org for latest updates, or call 202-633-3030 during business hours for information.
(email, mail, or fax) within that period. Credit will be prorated to reflect the cost of the first session. No credit will be given after the first session. Overnight Study Tours To receive credit to your Smithsonian Associates account for an overnight tour, please contact Customer Service in writing (email, mail, or fax) at least 45 days before the tour date. At that point, there is a $10 cancellation fee. If your request is received between 44 and 15 days before the tour, cancellation fee is $100. No credit will be issued for cancellations received fewer than 15 days before the tour date. The cost of some components of tickets— such as entrance fees, theater tickets, food programs and meals, and some forms of transportation, may not be credited.
the educational and promotional purposes of Smithsonian Institution and Smithsonian Associates. Filming and/or photographing by participants at Smithsonian Associates programs is not permitted. VISITORS WITH DISABILITIES Smithsonian Associates seeks to make activities accessible to people with disabilities. Patrons with disabilities are encouraged to call before registering for programs to inquire about the accessibility of the presentations and locations. For information or to request accessibility assistance, please call 202-633-3030 (VOICE) or send an email to customerservice@SmithsonianAssociates.org
We also reserve the right to refuse to register any individual or to require any participant to withdraw from an activity if the Smithsonian Interpreters for programs are provided free of charge. Smithsonian representative deems such action to be in the best interests of the Associates will make arrangements if requests are made at least two health, safety, or welfare of the group or the participant. weeks in advance of the program. TICKETS AT THE DOOR Tickets are available (on a first-come, MOVING? Please write us with your new information and allow 6 weeks first-served basis) at the door for some Smithsonian Associates for the change to take effect. programs. Call 202-633-3030 to be sure that the program is not already sold out. No discounts applicable to tickets sold at the door. HAVE QUESTIONS? Call Customer Service at 202-633-3030 M–F, GROUP DISCOUNTS Group discounts (for 10 or more) are available for some programs. Please call 202-633-3030 for details. PHOTOGRAPHING AND RECORDING PROGRAMS Participants at Smithsonian Associates programs may be photographed or filmed for
9–5, or stop by our office at 1100 Jefferson Drive, S.W., Suite 3077, (west of the Smithsonian Castle), between 10 a.m. and 5 p.m. on weekdays. (Metro: Blue/Orange/Silver line, Smithsonian–Mall exit)
on your next $ Save 20 Studio Arts class!* Use your Discount Code by March 31 *Offer valid through March 31, 2020. One-time-only offer. Discount offer does not apply to previous purchases, membership dues, gift certificates, tickets for Discovery Theater, Smithsonian Summer Camp, Smithsonian Sleepovers, Craft2Wear, or Smithsonian Craft Show. Additional exclusions may apply. This discount is not redeemable for cash and may only be used for online or phone purchases. Call 202-633-3030 (M-F, 9-5) or visit SmithsonianAssociates.org/offer to redeem.
Beyond the Studio Smithsonian Associates offers much more for art lovers than classes: Investigate our many programs and seminars on art and architecture; local and regional study tours to museums and artists’ studios; and our certificate program in world art history. And each month you’ll find plenty of fascinating programs on topics including history, science, culinary arts, music, travel, current events, and books. Visit our website to explore all the current offerings.